{"id":2970,"date":"2026-05-24T17:26:23","date_gmt":"2026-05-24T11:56:23","guid":{"rendered":"https:\/\/lotusarise.com\/qna\/?p=2970"},"modified":"2026-05-24T17:26:25","modified_gmt":"2026-05-24T11:56:25","slug":"which-of-the-following-statements-on-the-amaravati-stupa-and-its-relief-sculpture-is-are-correct","status":"publish","type":"post","link":"https:\/\/lotusarise.com\/qna\/upsc\/prelims\/which-of-the-following-statements-on-the-amaravati-stupa-and-its-relief-sculpture-is-are-correct","title":{"rendered":"Which of the following statements on the Amaravati Stupa and its relief sculpture is\/are correct?"},"content":{"rendered":"\n<ol start=\"1\" class=\"wp-block-list\">\n<li>It was located in the <strong>lower Krishna valley.<\/strong><\/li>\n\n\n\n<li>In India, it was next only to the <strong>Sanchi Stupa<\/strong> in size.<\/li>\n\n\n\n<li>The Amaravati school of sculpture made a lasting impact on the later South Indian sculpture, and its products were carried to Sri Lanka and South-east Asia.<\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\">Select the answer using the code given below: <\/p>\n\n\n\n<ul class=\"wp-block-list mcq\">\n<li>1 only<\/li>\n\n\n\n<li>1 and 3 only<\/li>\n\n\n\n<li>2 and 3 only<\/li>\n\n\n\n<li>1, 2 and 3<\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Answer: (b) 1 and 3 only<\/p>\n<\/blockquote>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Statement 1 is correct:<\/strong> The <strong>Amaravati Stupa (historically known as <em>Dhanyakataka<\/em>) was built in the lower Krishna river valley in modern Andhra Pradesh<\/strong>, thriving under the patronage of the <strong>Satavahanas<\/strong> and later the <strong>Ikshvakus<\/strong>.<\/li>\n\n\n\n<li><strong>Statement 2 is incorrect:<\/strong> When fully intact, the <strong>Amaravati Stupa was actually larger than the Sanchi Stupa<\/strong>. It was renowned as the grandest stupa (<em>Mahachaitya<\/em>) in ancient India, measuring roughly 50 meters in diameter and 30 meters in height, with highly elaborate narrative relief medallions.<\/li>\n\n\n\n<li><strong>Statement 3 is correct:<\/strong> The Amaravati school was distinct for its use of <strong>white marble-like limestone<\/strong> and its dynamic, crowded narrative style emphasizing movement. Its stylistic idioms deeply influenced Pallava and Chola art, and direct trade links led to the export of Amaravati-style Buddha statues to Sri Lanka (Anuradhapura), Thailand, and Indonesia.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Paleogeography and Location of Amaravati Stupa<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>River Valley Matrix:<\/strong> Located on the right bank of the <strong>Mudra\/Krishna River<\/strong> in the Guntur district of Andhra Pradesh, flourishing in the lower Krishna-Godavari valley region.<\/li>\n\n\n\n<li><strong>Dynastic Patronage:<\/strong> Developed primarily under the patronage of the <strong>Satavahana Dynasty<\/strong> (1st century BCE to 2nd century CE) and later the <strong>Ikshvaku Dynasty<\/strong> (3rd century CE).<\/li>\n\n\n\n<li><strong>Capital Connectivity:<\/strong> Situated near <strong>Dharanikota<\/strong> (ancient Dhanyakataka), which served as the capital of the later Satavahanas.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Comparative Architectural Scale and Dimensions<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Size Paradox:<\/strong> The Amaravati Stupa (Mahachaitya) was actually <strong>larger than the Sanchi Stupa<\/strong>.<\/li>\n\n\n\n<li><strong>The Dimensions:<\/strong> Sanchi Stupa No. 1 has a diameter of roughly 36.5 meters. The Amaravati Mahachaitya was the largest stupa in the Indian subcontinent during its peak, with a dome diameter exceeding 50 meters and a height of nearly 30 meters.<\/li>\n\n\n\n<li><strong>Structural Components:<\/strong> Unlike Sanchi&#8217;s stone railings, Amaravati was renowned for its <strong>Ayaka platforms<\/strong> topped with five <strong>Ayaka pillars<\/strong> facing each cardinal direction, symbolizing the five major events of Buddha\u2019s life.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Trans-National Influence and Material Typology<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Material Identity:<\/strong> Characterized exclusively by the use of <strong>distinctive white marble-like limestone<\/strong> (greenish-white limestone), which sets it apart from the red sandstone of Mathura and the grey schist of Gandhara.<\/li>\n\n\n\n<li><strong>Stylistic Impact:<\/strong> The school favored a highly narrative, dynamic style featuring elongated, slim human figures in complex, crowded compositions displaying high emotional intensity and physical movement.<\/li>\n\n\n\n<li><strong>Maritime Diffusion:<\/strong> Located near ancient ports of the eastern coast (like Ghantasala and Masulipatnam), artifacts, Buddha images, and stylistic elements of Amaravati art were exported extensively along trade routes to <strong>Sri Lanka<\/strong> (Anuradhapura school), <strong>Thailand<\/strong>, <strong>Indonesia<\/strong>, and <strong>Vietnam<\/strong> (Amaravati-style bronzes). It laid the stylistic foundation for later Pallava, Chola, and Chalukyan architectural reliefs.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Key Narrative Imagery and Iconographic Themes<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transition of Forms:<\/strong> The school captures the transition from <strong>aniconic<\/strong> (symbolic representation of Buddha like the empty throne or footprints) to <strong>anthropomorphic<\/strong> (human form) art, showcasing both simultaneously on its casing slabs.<\/li>\n\n\n\n<li><strong>Jataka Narratives:<\/strong> Extensively depicts specific Buddhist legends, most notably the <em>Chaddanta Jataka<\/em> (six-tusked elephant), the <em>Nalagiri Elephant<\/em> episode (taming of the rogue elephant by Buddha), and the <em>Mandhatu Jataka<\/em>.<\/li>\n\n\n\n<li><strong>Discovery and Dispersion:<\/strong> Documented by <strong>Colin Mackenzie<\/strong> in 1797. Large portions of its surviving relief medallions were removed and are now split between the British Museum (the &#8220;Amaravati Marbles&#8221;), the Government Museum in Chennai, and the National Museum in New Delhi.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Select the answer using the code given below: Answer: (b) 1 and 3 only Paleogeography and Location of Amaravati Stupa Comparative Architectural Scale and Dimensions Trans-National Influence and Material Typology Key Narrative Imagery and Iconographic Themes<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[3,1],"tags":[43],"years":[74],"class_list":["post-2970","post","type-post","status-publish","format-standard","hentry","category-prelims","category-upsc","tag-art-and-culture","years-74"],"acf":[],"taxonomy_info":{"category":[{"value":3,"label":"Prelims"},{"value":1,"label":"UPSC"}],"post_tag":[{"value":43,"label":"Art and Culture"}],"years":[{"value":74,"label":"2026"}]},"featured_image_src_large":false,"author_info":{"display_name":"LotusArise","author_link":"https:\/\/lotusarise.com\/qna\/author\/team-lotusarise"},"comment_info":0,"category_info":[{"term_id":3,"name":"Prelims","slug":"prelims","term_group":0,"term_taxonomy_id":3,"taxonomy":"category","description":"","parent":1,"count":1251,"filter":"raw","cat_ID":3,"category_count":1251,"category_description":"","cat_name":"Prelims","category_nicename":"prelims","category_parent":1},{"term_id":1,"name":"UPSC","slug":"upsc","term_group":0,"term_taxonomy_id":1,"taxonomy":"category","description":"","parent":0,"count":1269,"filter":"raw","cat_ID":1,"category_count":1269,"category_description":"","cat_name":"UPSC","category_nicename":"upsc","category_parent":0}],"tag_info":[{"term_id":43,"name":"Art and Culture","slug":"art-and-culture","term_group":0,"term_taxonomy_id":43,"taxonomy":"post_tag","description":"","parent":0,"count":80,"filter":"raw"}],"_links":{"self":[{"href":"https:\/\/lotusarise.com\/qna\/wp-json\/wp\/v2\/posts\/2970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lotusarise.com\/qna\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lotusarise.com\/qna\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lotusarise.com\/qna\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lotusarise.com\/qna\/wp-json\/wp\/v2\/comments?post=2970"}],"version-history":[{"count":0,"href":"https:\/\/lotusarise.com\/qna\/wp-json\/wp\/v2\/posts\/2970\/revisions"}],"wp:attachment":[{"href":"https:\/\/lotusarise.com\/qna\/wp-json\/wp\/v2\/media?parent=2970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lotusarise.com\/qna\/wp-json\/wp\/v2\/categories?post=2970"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lotusarise.com\/qna\/wp-json\/wp\/v2\/tags?post=2970"},{"taxonomy":"years","embeddable":true,"href":"https:\/\/lotusarise.com\/qna\/wp-json\/wp\/v2\/years?post=2970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}